DE MARFIM E CARNE – AS ESTÁTUAS TAMBÉM SOFREM

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Marlene Monteiro Freitas

2016
22 e 23.01 – Trafó, Budapeste (HU)

2015
27.11 – Théâtre d´Arles, Arles (FR)
23 e 24.11 – Home Works Festival, Beirut (LB)
01.11 – Tanz in Bern, Berna (CH)
31.10 – Tanz in Bern, Berna (CH)
6, 7.09 – Asian Arts Theatre, Gwangju (KR)
10 e 11.08 – Theatrer Spektakel, Zurique (CH)
7.06 – Black Box, Montemor-o-Novo (PT)
3 e 4.06 – Festival Transmerique, Montréal (CA)
24 e 25.05 – Spring Festival, Utrech (NL)
9 a 12.05 – KunstenfestivaldesArtes, Bruxelas, (BE)
9.04 – Festival à Corps, Poitiers (FR)
4.04 – Théâtre de Vanves (FR)
1.04 – Théâtre Paul Éluard, Vitry-sur-Seine (FR)
12, 13, 15.03 – Le Centre Pompidou, Paris (FR)
7, 8.02 – la Ferme du Boisson, Noisiel (FR)

2014
4 a 6.12 – Aquitaine, Bordéus (FR)
9.12 – Espaces Pluriels, PAU (FR)
2 e 3.09 – Téâtre La Vignette, Festival Montpellier Danse, Montpellier (FR)
20.05 a 1.06 – Teatro Maria Matos, Festival Alkantara, Lisboa (PT)

SYNOPSIS
In the ballroom of de marfim e carne – as estátuas também sofrem [of ivory and flesh – statues also suffer], gather the petrified, the rigid, the invisible, the doubles, the mirrored, and the infiltrated. The participants dream, therefore they ponder, pursue… take distance, forget, transform, desire. Over this ball hangs the shadow of Orfeus and Pygmalion. The music animates, falls asleep and revives this ball of sleep and vigil, of life and death.

TECHNICAL FILE
Choreography: Marlene Monteiro Freitas
Performance: Marlene Monteiro Freitas, Andreas Merk, Betty Tchomanga, Lander Patrick, Cookie (percursion), Tomás Moital (percursion, at the creation), Miguel Filipe (percursion, at the creation)
Light and space: Yannick Fouassier
Music: Cookie (percursion), Tiago Cerqueira (edition and sound)
Research: João Francisco Figueira, Marlene Monteiro Freitas
Production: P.OR.K, Lisbon (PT)
Distribution: Key Performance, Stockholm (SE)
Coproduction: O Espaço do Tempo, Montemor-o-Novo (PT), Alkantara Festival, Lisbon (PT), Maria Matos Teatro Municipal, Lisbon (PT), Bomba Suicida, Lisbon (with the support of DGArtes, PT), CCN Rillieux-la-pape, direction Yuval Pick, Rilleux-la-pape (FR), Musée de la danse, Rennes (FR), Centre Pompidou, Paris (FR), Festival Montpellier Danse 2014, Montpellier (FR), ARCADI, Paris (FR), le CDC – centre de développement chorégraphique de Toulouse/Midi-Pyrénées, Toulouse (FR), Théâtre National de Bordeaux en Aquitaine, Bordeaux (FR), Kunstenfestivaldesarts, Bruxelas (BE), WP Zimmer, Antwerp (NL), NXTSTP (with the support of the EU Culture Programme)
With the support of ACCCA – Companhia Clara Andermatt
Acknowledgements: Staresgrime (PT), Dr. Ephraim Nold

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