LAURENT GOLDRING
public conference
20, thursday, 19H00,
Hall CAMJAP
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© Oliver Charlot

CLAUDIA TRIOZZI
[I/F]
Dolled Up
- (re-regard)
20 and 21,
thursday and friday, 21H00
22, saturday,
at 19H00 and 21H00
Galeria CAMJAP - Piso 1

Claudia Triozzi presents in Scores and Landcapes visual excerpts from her performance/installation work Dolled Up. On four occasions she personally comments on this work: "In Dolled Up (...) the space that I had created for my previous tableaux vivants is transformed in a place where I interrogate myself about my own status".

Claudia Triozzi

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CUQUI JEREZ [ESP]
A space odyssey
(2001)
20 and 22, thursday and saturday, 20H00, Sala de Exposições Temporárias
duration: 50min 		A space odyssey (2001) arises from an interest in visual references and models stored in our mind for the recognition of new images. (...) Recognition through memory. A time of disturbance, confusion, slowness and speed, difficulty and pleasure, loss and search, a very active state for the mind in which we just try to find where, what, who, how, when; the moment right before recognition, when reality is not yet in the 'right place'.

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© Philipe Munda

L' EXPERIENCE HARMAAT /
FABRICE LAMBERT
[F]
No body, never mind
20 thursday, 22H00
and 21, friday, 20H00
Sala Polivalente
duration: 40min

No body, never mind is the result of a meeting and reflection between choreographer Fabrice Lambert, photographer Philippe Munda and video artist Sean Bacon. The piece investigates the act of looking at the body in a performance and questions the status of that gaze, by disrupting the traditional frontal viewpoint of the stage with the means of online video and photography.

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DONATA D'URSO [I/F]
Pezzo 0
21, friday,
between 19H00 and 22H00,
Sala de Exposições
Temporárias
duration: 25min 		The choreographic installation pezzo 0 presents a choreography that happens on the surface of the skin. It is not the trajectory of the dancer that creates and defines the space, but rather the surface of the body that becomes the space.(...)

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LAURENT GOLDRING
& DONATA D'URSO
[F&I/F]
Sculpture mobile 2
25 and 26,
tuesday and wednesday,
between 19H00 and 22H00,
Galeria CAMJAP - piso1		 Sculpture mobile N° 2 is a sculpture which includes small bits of a human body. It is the result of an ongoing research on the possibility of a new form between sculpture and performance. (...)

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© S. Gonçalves C. Abreu

PAULO HENRIQUE [P]
 Around One
(ventos de outras bandas)
25 and 26,
tuesday and wednesday,
between 20H00 and
22H00, Sala Polivalente		 Around One is a collage, a dynamic orchestration of movement, image and sound, accompanied/manipulated by live interventions. The basic support is the body in interaction with pre-recorded images and images created in real time, in a linear or non-linear set-up. The body is present and visible in two spaces at the same time, in pictorial surroundings developed from the body itself. The sound is created by the public through manipulation of vinyl and CD disks.

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JOÃO GALANTE [P]
 Hunny Bunny
26, wednesday, 22H00,
Sala de Exposições Permanentes		 Hunny Bunny is João Galante's first movie. It is a story of seven women on a voyage. Irreducible is their wish to change the world. The situation of these women (...) is a place of transit, of provisional occupations, of the individualised subject. The place of the traveller and the relation he creates with the places he passes by, the relation of the onlooker.

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LAURENT GOLDRING
& SÓNIA BAPTISTA
 [F&P]
work in distress /
open working session
27, thursday, between 19H00 and 22H00, sala de Exposições Temporárias 		Laurent Goldring has been working on his video exhibits with a large number of performers and dancers. On invitation of Danças na Cidade, he and Sónia Baptista have worked together last May in Lisbon on the continuation of this work.

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ALICE CHAUCHAT [F]
 Study
from 27 to 29, from thursday to saturday, 19H30, 21H00 and 22H00,
Galeria CAMJAP - Piso 1
duration: 10min

In this Study, Alice Chauchat constructs an archetypal female pornographic figure over a male body. Exposed in a pornographic way and putting on female postures, the performer becomes woman in at least two aspects of representation: his appearance and his relation to the gaze of the other.

VOLTAR


© Johan Dehaes

CHARLOTTE
VAN DEN EYNDE
& UGO DEHAES [B]
Lijfstof
28 and 29, friday and saturday, 20H00,
Sala Polivalente
duration: 50min 		lijfstof= bodysubstance / bodymaterial / bodymatter / bodydust
Lijfstof is a performance by and about bodies.
It arose from the attempt to combine our bodies with objects in order to say something more about ourselves, about the body, about humans and how they live in the world and deal with it. Among other things, the body is reduced to a hunk of meat and canned like a thing. Only the essence remains: the body is a piece of skin covering a mass. In its complete form it comprises a trunk, a head, 2 legs and 2 arms, 10 toes and 10 fingers. This image is familiar to us. But how alien is this
image really, how repulsive and yet beautiful, and how vulnerable?

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© Frederick Fiche

MYRIAM GOURFINK
public conference
29, saturday, 19H00,
Hall CAMJAP		 meeting of the public with Myriam Gourfink

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© Steeve Luncher

MYRIAM GOURFINK
Rare
30, domingo, between 18H00 and 24H00 ,
Hall CAMJAP 		Music has created a meta-language which creates a distance between musical thinking (composition) and the production of sound. We can consider the music without considering the sound as its result. This seems a great source of invention because it means that music is relevant as soon as there is musical thinking. While I tried to find a similar functioning fitted to dance, I became interested in the Laban Notation. Soon it became obvious to me that by using computing tools, it would be possible to use this structured language in my choreographic composition and the a priori writing of choreography. Dance is not a movement but a score, an abstract place, an immaterial link between the choreographer and the interpreter. So, I started to think about the conception of a dance writing software...

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