Carolina Bianchi is a brazilian theatre maker, writer and performer, currently based in Amsterdam and recently graduated on DAS Theatre Master program. In her work with theater, theory and practice are inseparable and her choice to work with numerous casts and about different aspects of the choir constantly appears. Her works depart from a crisis perspective to launch confabulations about gender and sexual violence, historical pacts, whose practices intend an erotic approximation with History — sensorial and sacrificial, blurring the time line. Her staging is a combination of different references from literature, cinema and painting, filled with musical mashups, and a constant confrontation with everything that seems to be an absolute truth.

She is director of the collective CARA DE CAVALO (Horse’s Face) from São Paulo, with whom created the pieces: The Cadela Força Trilogy [2022/2025], O Tremor Magnífico (The Magnificent Tremor) [2020], LOBO (Wolf) [2018], the outdoor performance Quiero hacer el amor (I wanna make love) [2017], and the lecture performance Mata-me de Prazer (Kill me by Pleasure) [2016].